Constantly remind the audience of yourself, return them to listening to previously releas music. This is the novelty of the streaming economy, this is the essence of the attention economy – and all musicians should accept these rules. himself had to think about what would happen to the disc or record as soon as they were shipp to the shops. Today they have to go much deeper into the tastes and preferences of their audience. The logic here is simple: the deeper and more accurately the consumer’s portrait was reconstruct, the more “streams” the musician will receive. At the same time, the process of musical “creativity” itself has also chang.
Neither the producer nor the musician
The album format does not fit well with streaming Tunisia Phone Number List mechanisms. The consumer here listens to individual songs more often, but only the most avid fan is able to decide on the whole album at once. At the same time, the average track length decreas from 4 minutes 30 seconds (2000) to 3 minutes and 40 seconds (2019) – this is of listeners. It only takes five to ten seconds for subscribers of streaming services to decide whether to listen to the song further or not. And in order to keep a potential audience, musicians use a variety of tricks for example.
All these data are taken into account
They start their track with a well-known sample or immiately BT Lists stun the listener with a catchy hook. Listening statistics also affect the creative strategy. For example, you can find out the city where you are most listen to, which songs are most popular, at what second they switch to another, when the volume of the track was increas, and so on. by producers and performers when they prepare new songs or shoot another video. The main thing is to keep your audience, get on digital storefronts more often and stay in playlists for as long as possible. The death of the author and the death of creativity.