Therefore talking about the author today is simply ridiculous, however, as well as about creativity, which belongs to the author’s narrative. Of course, this does not mean that in the future there will be no “top stars”, as well as “loud hits”. and his work will change: the main shift is carri out in his position in relation to the audience – from the initially autonomous to the initially dependent. And at the same time, according to Jace Clayton, publicist and New York DJ, the author’s gradual departure from the world of music is also due to the fact that streaming return the music itself to its natural state.
The very image of the musician
What we saw in the 20th century – strictly speaking , was Uruguay Phone Number List abnormal. The fact that music then had a physical form was unusual in all of human history. And now [because of streaming] it’s getting unusual again. Music always has this inner urge to dematerialize – it cannot be acquir [made private]. By its nature, it is a slippery phenomenon, almost ghostly. So the streaming channels themselves, originally intend to legalize music streams, as model of the music world, where a song or album belongs to someone else and therefore must be distribut within the framework of strict principles outlin in standard contracts.
If inadvertently destroy the old industrial
When music is increasingly turning into the BT Lists background, dematerializ, distribut, it has become the embodiment of the sharing economy. Here for the author, as well as for copyright, strictly speaking, there is no place anymore. It is not for nothing that the very idea of ??copyright has been criticiz so much in recent years, is becoming more and more unprictable and free, as in those “houses of music” that Francis Bacon dream about centuries ago. Over the past year, Russians have made 1 billion orders for services via the Internet.
